Robin Williams and Craig Ferguson

Craig Ferguson has been off late night TV for a while - with his eclectic collection of puppets and some amazing interviews. The double header with Robin Williams is one of his best!

The Box Comedy

I have heard a lot of the American stand-up comedy scene and process - comedy clubs that host a number of comedians in one night; all having a few minutes on stage. The established stars come to hone their jokes for the big shows (the ones that are for 60 - 90 minutes), while others come to try establish themselves. It's meant to be experimental; edgy and a whole lot of variety.

My experiences of this set-up has so far been quite disappointing. My one experience in New York was disappointing (that was more due to my poor choice of venue I think); and venues in South Africa (such as Parker's) tend to cater towards more established comedians on most evenings. I have been meaning to go to The Box Comedy show, at the PopArt Theatre in Maboneng, for a while now - but it's Sunday evening shows are impractical towards waking up early for Monday morning. Last night was my first experience - and the first for most in the absolutely packed room - and the format is much closer to the American stand-up comedy scene than I expected.

The line up was mixed - young comedians just starting out (the youngest, Panch Gasela was 16); to the established star in Kagiso Lediga; together with a one joke cameo by Loyiso Gola; and a longer, unscheduled set by SA Got Talent host Tats Nkonzo; and a superb host in Mpho Popps. The jokes were varied - and yes, some fell flat - and some of it was definitely experimental. 

Overall, it was great - one of the best comedy shows I have attended actually; and the best R50 I have spent in a long time. The Sunday evening shows may be impractical for every weekend, but perhaps next time I have a late Monday start, it would be a great way to spend Sunday evening.

Missing

Conrad Koch's new one man show was meant to finish off last night - but has been extended by a few shows at the Jo'burg Theatre. The theme is, as it has been for a while with Conrad Koch's shows, South African identity - and it is a lot more than just Chester Missing - although Chester (and his disguises) are definitely the highlights of the show. There is also a human ventriloquism piece at the end, where two audience members are asked to wear some masks and we get an absolutely amazing ventriloquist performance. 

Chester Missing's political commentary, is as ever, biting and current - and there were no boundaries for criticism - from the ANC and the South African government, to the DA, EFF and Agang - there was not much that was left out. Of the puppets, Ronnie the Monster was the weakest link; but a show definitely worth attending.

Adapt or Fly

Pieter-Dirk Uys' new one man show, Adapt or Fly, currently on at the Market Theatre, feels like a farewell show - a compilation of his time in South Africa's theatre circuit. I haven't seen his full one man shows before, so the format was a bit strange - the combination of political commentary, various characters and impersonations and personal reflection did not have a cohesive theme - but that is not to say, it was a bad show. It was not a stand-up comedy routine, but it was not a play. But it was funny, often serious in its subject matter, and sometimes poignant.

It was just strange - but completely worth it.

Defending the Caveman

Defending the Cave Man has been a hit show in South Africa for 18 years, with Alan Committie performing the show over 800 times. M & I had bought tickets about two years ago, but didn't go as I was out of town on a business trip. For a show that was written in 1991, it manages to stay quite relevant - and Alan's many performances means that the performance itself is very slick. It is surprisingly interactive, and that does lend some level of uniqueness for each performance.

The show is a funny, tongue in cheek set of observations on men, women and their relationships. Ultimately, it proposes that all actions that separate men and women are actually rooted in the past - in caveman behaviour to be specific. Many comedy routines build on the differences between men and women in their act - this is perhaps the finest exponent of that genre.

Trevor Noah: It's My Culture

I bought my tickets to the show in August, and already most of the tickets had been sold out for the 3 week show. Trevor Noah has had a fairly meteoric rise as a comedian - I first saw him as a support act at a comedy club about 5 years ago, and now he has 2 hour shows across the world. 

The content of his act varied widely, and he is a great story teller (and writer); managing to get laughs from even difficult topics. The story about his meeting with Julius Malema was particularly impressive, as was the brilliant story of the arrival of the escalator in Zambia (which is not too say that Zambia is technologically backward). 

Earlier, the show opened with a drummer and a puppeteer with 2 dancing puppets (who put Miley's twerking to shame). It was followed by short act by Dusty Rich; which comprised of commentary on his name and blaming his parents for (in his opinion) various genetic defects. The puppeteer was amazing; Dusty was just ok.

I am not sure that the show itself lived up to its name; but that doesn't really matter. It was a great show that definitely lived up to Trevor Noah's well earned reputation.

Mass Hysteria

At over 3 hours, with 8 stand-up comedians, and ticket prices for only R180, Mass Hysteria was definitely one of the best value-for-money shows I have been to in the recent past. And when you consider the line-up, it was an absolute bargain. Themed around government minister (each comedian was a minster of something), it was a brilliant showcase of South African comedy touching all the usual points - race, sex, money, love, politics and general South African life.

The young, Mpho Pops (Minister of Da Youth), started of proceedings with one of the best routines of the evening - with some of the best jokes centred around the early integration of race in Model C schools, and township life. After Mpho, Joey Rashdien (Minister of Religion) was quite flat; and I think was the weakest set of the evening. Ndumiso Lindi (Roosta in Chief) continued the cultural focus, starting with the requirement of jackets for a traditional Xhosa gathering and ending with the complexities of kids with multi-racial friends. 

The best act of the evening was definitely John Vlismas (Minister of Offence, naturally); who did not care much about the line that can't be crossed in comedy. He announced that he was a vegetarian (and still a leather pants wearing hypocrite), took real exception to Gautengers' opposition to e-tolls after they were built (and not protesting during construction) and ended his set on why most miracles are actually rather mundane and not very fortunate in the first place. 

Despite attending many comedy shows over the past 10 plus years, I had not attended a live show featuring the soft spoken, and colourful Casper de Vries (Minister of Mini-series, Internet and other media). His take on the ANN7 bloopers while comparing it to early years of SABC was impressive, as was his various takes on TV shows. 

I have seen Conrad Koch and Chester Missing a few times in the past few months; and sadly there was no new material. While still a laugh, it just wasn't as impressive the first few times. Nik Rabinowitz, the Xhosa Jew (or is it the other way round?) used his multi-lingual skills to great effect - though for whatever reason, I didn't find his performance very memorable. For the final act, Tumi Morake (Minister of Women, Disabilities, Midgets, Aliens etc) showed Miley Cyrus how to twerk, explained the different interpretations of "getting a Brazilian" and explored the impact of non functioning contraceptives. 

It was a long show, and definitely one of the best comedy shows I have been to. Hoping that there are future iterations - with new content off course!

The Chester Missing Roadshow

Conrad Koch has taken Chester Missing as a standalone act - together with two new puppets, Hillary and Ronnie, in a 90 minute set. Unfortunately, most of the Chester Missing act is the same material as presented at Blacks Only (with some passing commentary on the Guptas); which is a great pity, since there was so much potential for more fresh, topical political satire (perhaps a more South African Daily Show style?)

The addition of new puppets to the show certainly adds more dimension, and the final act, of converting an audience member into a puppet was not only fun, but has incredible potential in political commentary.

The show runs at the Market Theatre until the end of the month, before moving to Baxter Theatre in Cape Town.

Blacks Only Comedy Show - Sandton 2013

As it seems traditional, David Kau started the show with a census of the audience  (of a sold out show, of over 4000); including a request for all Chechens with backpacks to leave the room. Apart from recent events, South African politics was a major theme from all the comedians on the bill, with Zuma, Zille and Gwede Mantashe being popular targets. And as ever, David Kau was brilliant as a host and MC - and his own routines were sometimes far better than the featured comedians!

The show started with KG, from Cape Town - who played on the link between his name and his large size. Apart from the seemingly mandatory fat jokes, his best jokes revolved around the issue of struggle credentials - how is it, he asked, that there seems to be only so few people with struggle credentials; as every one with a tender seems to have struggle credentials, but not the other way round. It was a sobering reflection on corruption, a topic that was mostly left out from the other comedian's repertoire. The equally large, Jason Goliath (another person, who played on the link between his (real) name and his size), was up next. He has an amazing, preacher/motivational speaker style delivery. He largely stayed off politics, but rather told stories with humourous twists - like how, he, a big fat guy, won a tennis tournament in school - as well as some amazing interpretations of a scene from Taken 2 (with corresponding accents).

The two feature performers were on either side of the break - starting with Marc Lottering. Unlike Jason Goliath's large booming voice, Mark's was softer, but still delivered in a preacher style. There was quite a few jokes around social media (on Twitter and Facebook) and a cut out to an audience member who was taking a photo on her cell phone, while Marc was talking about how every action was now being photographed and uploaded to Facebook and Twitter was particularly ironic.

The standout performance of the evening was ventriloquist Conrad Koch and his puppet Chester Missing - a blistering political analysis and commentary across the spectrum. It was the act that brought out the biggest laughs, and pushed some big boundaries. I have seen a few skits on Late Night News (on e-TV), but a live show is so much more impressive. There have been a few well known ventriloquists (Jeff Dunham comes to mind), and I think a full show of just Chester Missing's political analysis would be just as impressive.

Dylan Oliphant, a recent winner of best newcomer, delivered one liners in the style of Jimmy Carr - pushing undiscovered boundaries, and sometimes the jokes took a while to decipher for many in the audience. He doesn't yet command the stage to the same degree - but this is a performer who can easily become the next big thing. Issac Gambu finished of the evening, in a performance mainly in Zulu and Xhosa (and thus I didn't understand most of it).

At over 3 hours (including the interval), it is a show that does bring great value for money; and features excellent performances. Sandton Convention Centre is a central venue - although the bar service is slow and leaving the venue itself is quite congested.

Parker's New Year's Eve Show

After last year's successful New Year's Eve show, M and I decided it would be a great idea to do it again. This year, the club didn't seem to be packed; but Montecasino itself was fully stuffed. Like last year, the show included snacks (various finger food); and while the price was higher than last year - it wasn't a massive hike.

The show was hosted by Joe Parker, who seems to rehash his old jokes quite often. He does supplement it however by picking on various audience members; with the main target last night being the big table in the front centre of the stage.

The first act of the evening was also, I think the weakest - Martin Evans (introduced as "from Cape Town, via London"). A lot of his material comprised of the differences between Jo'burg and Cape Town; and frankly it didn't seem anything significantly newer than previous comedians' material in this regard. 

Introduced as the "token black guy", Nqoba Ngcobo, left no sacred cows in some of the darkest humour. Aside from John Vlismas, I haven't heard any other South African comedian push the boundary so far, so well. His set started rather softly and ended with a bit of a slapstick; but in between was pure comedic gold; with some of his material definitely unsafe anywhere other than a comedy club. And even if we discount the jokes that pushed the boundaries; there was also brilliance in his other material; with the standout being the a tale told almost completely with cricket jargon.

If Nqoba Ngcobo was the token black guy, Melt Sieberhagen was the token Afrikaner guy - minus the two tone khaki. He drew the biggest laughs; and his jokes were the most memorable of the night and even the ones that he recycled from last year's show fitted in perfectly.

One of the highlight's of last year's show, Schalk Bezuidenhout, performed a 10 minute, unscheduled set before the main act. I had heard most of the material before; but his treatise on why "7de Laan" is crap got some of the biggest laughs of the night.

The highlight of the evening was definitely Deep Fried Man; who has had an incredibly successful start to his comedy career. His set, comprising mostly of songs set to (mostly) pop music; was some what reminiscent of Wierd Al; but with significantly more meaningful lyrics. A lot of the material was on White Guilt and race relations (something missing for most of the evening, funilly enough), but told very elequently and a brilliant fit to music.

Unlike last year, we decided not to hangout inside the club, and got to the very crowded Montecasino Piazza which featured a very impressive fireworks show to bring in the new year. All in all, a good night.

Russell Peters' Notorious World Tour

Russell Peter's "Somebody gonna get hurt real bad" (YouTube) is probably one of the best comedy routines, and even though the joke itself is retired; it is still what Russell Peters is mostly known for. His observational comedy, especially on race and immigrants (himself being a child of immigrants) backed up by some brilliant accents.

Russell Peters' new show, "Notorius World Tour" just started (with South Africa being one of the early stops); and there are still some rough edges. What is possibly the sequel to "Somebody gonna get hurt real bad", featuring his white friend "Stephen", and the difference in parenting approaches has a lot of potential; but it just doesn't feel like the end version. The highlight of his show, for me, were his various impromptu conversations with the audience; and drawing out the various cultural stories and observations. The rough edges really showed in the short awkward pauses where Russell didn't say anything, and the audience didn't applaud - a bit of nothingness. It wasn't that the comedy wasn't funny - it was - the show itself just didn't seem to flow that well.

American comedian, Ruben Paul, was the support act. Like a number of comedians, his show was about relationships (what is it with comedians giving advice to the audience on relationships); and off course what it is like for an African American to get back to Africa. His show was actually a lot more polished in some respects; but I suppose he wasn't trying out new material.

The decision to go to the show was very much last minute. I saw some tickets were still available, and went to Carnival City (which remains the dreariest casino I have been to) and bought tickets before the show. The tickets were expensive, and to be honest, I am not convinced it was worth it. It was a good show; but not that great.

Blacks Only

Hosted by one of South Africa's greatest stand-up comedians, David Kau, Blacks Only is a series featuring mostly black comedians, which is equally reflected in the audience. In fact David Kau started the show with a census of the audience - which was one of the largest audiences I have seen outside a music festival (there were 12 audience blocks, of about 360 seats in each block).

The show featured a variety of comics, Ugandan born David Kibuka (now from Fourways), American Will-E Robo, the token white guy Chris Forest and a number of "unknown" comics, getting their turn in the limelight. Mostly, the show was in English, although two comics were more versed in a combination of Tswana, Sotho, Zulu and Xhosa - and the general response from the audience clearly showed that they were very very funny!

The comics pulled no punches, offending people of all races, tribal groups, nationalities, not to mention politicians and celebrities. In fact some of the comic attacks even brought collective gasps from the audience (two highlights: calling Hector Petersen as the boy who couldn't duck fast enough, and giving Jacob Zuma something he had not experienced before, as part of Nelson Mandela day, by taking him to a Matric dance) - a show of how far they pushed.

Including the interval, the show was over 3 hours, and even after starting late, it was one of the best stand up comedy shows I have been to. Definitely a show to go to, the next time around!

Bafunny Bafunny

Went to watch super team of South African stand up comedy last night at Carnival City. Comprising of Mark Banks, Barry Hilton, Marc Lottering, Kagiso Lediga, Nik Rabinowitz, Loyiso Gola, John Flismas and Trevor Noah, it was missing only one other top comic in my books - David Kau.

Politically incorrect (to the extreme in the case of John Flismas), most comics focused on a healthy dose of politics (Zuma, Malema and Zille being the prime targets), immigration, crime and off course soccer (with a smattering of rugby and cricket). Personally Nik Rabinowitz and Trevor Noah were the best comics in the show, but each of the comics had their standout moments.

Given a show time of about 3 hours including the interval, the R200 for the tickets was well worth it. However, Carnival City as a venue, is certainly not my favourite. Not only is it far, but the traffic congestion within the parking lot was horrible (took almost an hour to get out).

Vodacom Funny Festival

The Vodacom Funny Festival kicked off for the 3rd edition last night, starring a number of highly regarded local comics and two international acts. Of the local acts (3 dedicated acts excluding Marc Lottering himself), Trevor Noah was my personal favourite. I have seen him before at the Blues Room in Sandton, and he has an amazing ability with languages and makes full use of it. Tumi Morake, the opening act, and the only lady, brought a fairly different set of jokes to the stage; while Nik Rabinowitz was very much a comic taking the maximum advantage of Western Cape politics.

Of the international acts, John Lenahan's magic show was certainly very different to standard comic performances - although, as he himself commented, the magic itself is not the focus of the act.

But by far the best act on show, was the crazy Japanese duo called Gamarjobat. Part mime, part slapstick and very clever - they managed to get the audience laughing (in fact it probably ranked as a ROFL and not a LOL :D) without a single spoken word. Their act is theatre and comedy at its very best, and somewhat similar to the comics of the silent screen. They are not playing for the whole festival - only until 1 July, and if nothing else, they are the reason to go attend the festival.

Reasons to take business trips to South Africa

From Alex Cartoon, Telegraph UK

Whackjobs

Part of the Arts Alive initiative, Whackjobs was a one off stand up comedy show at the Bassline in Newton (on Saturday night). Hosted by the very politically incorrect John Vlismas; it was definitely one of the best stand-up comedy gigs I have been to.

The best part of stand up, is the freshness - comics can make jokes about what has happened in the recent past. And this weekend's political turmoils were exploited by most of the comedians. The variety was also impressive - and Alyn Adams' musical parodies was one of the more unique acts of the week.

Chris Rock

Went to see Chris Rock's final show in South Africa at Carnival City on Sunday night. As expected, it was absolutely brilliant - and Chris Rock certainly does not hold back. There was certainly no "safe" subjects - gays, fat people, George Bush, Hillary, petrol prices, xenophobia, Iraq, terrorism, sex - and off course race. Definitely one of the best comedy shows I have been to.

Cape Town International Comedy Festival

I had sent out an email a bout a month or so back, about people who would be interested in going to the comedy festival. Since I did not really get much positive feedback; with most people unimpressed by the R120 price tag; I decided to go alone; to the last show - Best of Fest, on Sunday night.

It was definitely worth the money - 6 comedians; plus the MC; in a show, including the interval; lasting around 3 hours. It started of rather sedately, with the host, Sugar Sammy, regurgitating some old jokes; but then he spotted some late-comers, and they provided the perfect fodder to really launch the show. The first comic, Kagiso Lediga (SA), was rather bland, until the end - with his skit on Zuma, Mbeki and Madiba bringing down the house. The next act, Reggie Watts (USA), can be best described as weird - it was funny; but it was nothing like regular comedy acts. Describing it is very difficult, it is one act that needs to be seen and heard in person. In between all these acts, the MC befriended the front row, picking on a number of front row audience members; including a man who was dressed in a pink shirt and hitting on the women. Charlie Pickering (AUS), the last act before the interval, really brought the house down; first with his banter with the MC (who was congratulated for being so professional, despite his desperate fight against impotence); then relating an interview where he talked about Crocodile Hunter, not knowing he had just died. It was a varied act; but well delivered; and in the end he really related well to the audience.

After the interval, the fireworks really started. First, Trevor Boris (CAN) who described himself as a gay farmer, hit on the man with the pink shirt. Most of his comedy delivery, centered around gay marriage and divorce; and he was really impressive. He was followed by John Vlismas (SA), who managed to probably insult everyone in the room - starting with thin people, then fat people, then women, and then people of every colour. And he brought the house down; because; it was amazingly brilliantly put together; and delivered. I was expecting a woman to end the show; especially after John Vlismas, but the last comic was Jason Wood (UK); and he was something totally different. Firstly, much of his act was delivered in songs, impersonating the singers; a brilliant feat considering the range of singers he covered. He was a great choice as the final act; and brought the show to a brilliant finish.

Foreign Aids

For a well known comedian, Jameson Hall was surprisingly quite empty for Pieter Dirk-Uys' free show. But for those of us that did go, it was a great show, although the show did have a message - not about abstinence from sex, not about AIDS or HIV but more about overcoming fear and talking about sex. The show was not strictly the show he takes around to schools and such; but rather a show about the show (metashow?) and he covered a wide range of subjects - from condoms (why its better to buy than to get freebies), Thabo Mbeki, PW Botha and talking about sex. He likened the battle against AIDS like the battle against Apartheid, handled badly by politicians, filled with rumors and misinformation and very little support for the people who are doing their very best.

Fighting AIDS is more than a ribbon. It will take more than reading statistics once a year. Ultimately, fighting AIDS requires education and support of both those who have AIDS (so that they can continue living and enjoying life) and those who don't (so that they do not get it in the first place). And while South Africa has placed lot of emphasis on the later, statistics and the harsh reality is that it does not seem to be working. What I find interesting is that the same tactics are used elsewhere in the world - Metro stations in DC proclaim "if there are 5 people on the platform, one person could have HIV"; similar messages in London while India has some rather interesting ads aimed at dissuading adultery. But it is the very statistics in India and the self proclaimed ones in DC that suggest that the messages aren't really working.

And as Pierter Dirk-Uys' commented - its not only about the message but about the practice. If condoms are inconvenient - because they are of the wrong colour, size or just takes to long to extract from the packaging - they won't be used. And while we seem to have perfected the message, acting on the message is far from perfection.