Former F1 driver (and now commentator), David Coulthard is going to race against PS3 drivers of Gran Turismo 5. What makes this race interesting - Coulthard will drive a real car (Mercedes SLS AMG) on a real track, while the PS3 drivers will drive the same track, but virtually, using the virtual version of the car. To make it more honest, no one will be able to drive the track before the actual event.
It is an interesting concept, and would raise the interesting question - should there be someone faster than Coulthard, would they give him/her a remote control version of the SLS AMG to race to see whether the physics translate correctly?
The Telegraph will stream it live - hopefully there will be a downloadable version available.
About Me
- alapan
- I ramble about a number of things - but travel experiences, movies and music feature prominently. See my label cloud for a better idea. All comnments and opinions on this blog are my own, and do not in any way reflect the opinions/position of my employer (past/current/future).
03 September 2011
30 August 2011
Movie: Rise of the Planet of the Apes
After the previous movies in this series, I was originally not too keen to watch this movie, but M was, so I went along. While the previous movies explored the world where the Apes had superseded humans in evolution to start running Earth, this movie explores how it got there in the first place. Like many Science Fiction "disaster" movies, it starts off with a well meaning scientist who invents a virulent drug, and things go wrong.
While John Lithgow plays an old man slowly wasting away with Alzheimer's, the real star of the movie is Andy Serkins as Caesar, the chimpanzee. While his performance as Gollum was sublime, I think this role was even better, and the high production values and the attention to detail certainly helps the movie a great deal. In fact the general "acting" of the apes was superior to that of the humans for most of the movie, perhaps signaling the message :) I am certainly glad that I went to see it, and it is a much more enjoyable movie when compared to its predecessors.
While John Lithgow plays an old man slowly wasting away with Alzheimer's, the real star of the movie is Andy Serkins as Caesar, the chimpanzee. While his performance as Gollum was sublime, I think this role was even better, and the high production values and the attention to detail certainly helps the movie a great deal. In fact the general "acting" of the apes was superior to that of the humans for most of the movie, perhaps signaling the message :) I am certainly glad that I went to see it, and it is a much more enjoyable movie when compared to its predecessors.
26 August 2011
All the Americans - JPO's 3rd Season, 6th Week
The final week of the JPO's 3rd Season featured only American composers; and while the Russian week (1st week) was quite traditional, this week had a lot of jazz influence. The JPO's Principal Guest Conductor, Bernhard Gueller was on the podium for the week.
The first piece of the evening was Gershwin's "An American in Paris", which was also played by the MIAGI Youth Orchestra in May this year. Overall, I think this performance was better - it felt a bit more alive, and the jazzy components stood out a lot more. It really gave the vibe of the Parisian cafe from before WW2 (as depicted often in movies).
The second piece was Gershwin's Piano Concerto in F, with Nina Schumann, (or rather Prof. Schumann, as her students would call her :)) at the keyboard. This piece had even more jazz influences, and was one of the best piano performances I have heard at the JPO.
Aaron Copland's "Corral Nocturne" from his Ballet Rodeo, was the most traditional piece of the evening - very soothing, and calm.
The last piece of the evening was Leonard Bernstein's Symphonic Dances from the "West Side Story". Taken from the Broadway hit (also scored by Bernstein), the Symphonic Dances give an orchestral performance of 9 songs from the musical (though they are not arranged in sequence of the story). Once again, there was a lot of "modern music" influence, a lot more Jazz in feel; and was definitely different to the traditional JPO fare. In some respects, I think the JPO should perform a lot more of the newer crossover pieces, as it opens up the concert to a much wider audience. I would particularly like to see scores from movies performed once a season to get a wider audience involved.
The first piece of the evening was Gershwin's "An American in Paris", which was also played by the MIAGI Youth Orchestra in May this year. Overall, I think this performance was better - it felt a bit more alive, and the jazzy components stood out a lot more. It really gave the vibe of the Parisian cafe from before WW2 (as depicted often in movies).
The second piece was Gershwin's Piano Concerto in F, with Nina Schumann, (or rather Prof. Schumann, as her students would call her :)) at the keyboard. This piece had even more jazz influences, and was one of the best piano performances I have heard at the JPO.
Aaron Copland's "Corral Nocturne" from his Ballet Rodeo, was the most traditional piece of the evening - very soothing, and calm.
The last piece of the evening was Leonard Bernstein's Symphonic Dances from the "West Side Story". Taken from the Broadway hit (also scored by Bernstein), the Symphonic Dances give an orchestral performance of 9 songs from the musical (though they are not arranged in sequence of the story). Once again, there was a lot of "modern music" influence, a lot more Jazz in feel; and was definitely different to the traditional JPO fare. In some respects, I think the JPO should perform a lot more of the newer crossover pieces, as it opens up the concert to a much wider audience. I would particularly like to see scores from movies performed once a season to get a wider audience involved.
24 August 2011
Johan Botha Gala Concert
Johan Botha is probably South Africa's best known opera export, and is by all accounts a sought after tenor on the international opera circuit. So it was not surprising, that his one off gala concert in Johannesburg on Saturday had a full house. Supported by young South African opera singers, as well as the CT Opera Choir and the KZN Philharmonic Orchestra, he delivered a brilliant concert, and truly showed his class.
I am not a big fan of Opera, so I do not know all the concert pieces, and the background in the wider opera story - but it is easy to pick up on the ones I did know and compare it to other performances. I think the concert program could have done more in this regard, to be honest.
He had a number of encores, including an Afrikaans song (which got a wild applause from certain members of the audience), and finished off with the popular Nessun Dorma from Puccini's Turandot; and his final performance was better than the "concert" performance and is one of the best performances I have heard (though it doesn't really compare to the Pavarotti).
I am not a big fan of Opera, so I do not know all the concert pieces, and the background in the wider opera story - but it is easy to pick up on the ones I did know and compare it to other performances. I think the concert program could have done more in this regard, to be honest.
He had a number of encores, including an Afrikaans song (which got a wild applause from certain members of the audience), and finished off with the popular Nessun Dorma from Puccini's Turandot; and his final performance was better than the "concert" performance and is one of the best performances I have heard (though it doesn't really compare to the Pavarotti).
22 August 2011
Movie: Captain America: The First Avenger
Early Superman comics were just as nationalistic (there are comics showing Superman, fighting the Nazis); and Captain America was conceptualised at the height of World War 2; and largely takes place in that time period. A weak, but courageous young man, who wants to enroll, gets drafted into a covert bio-engineering program and is transformed into a super solider. He is first drafted in to raise funds for the war, but later leads the charge against the other super-soldier, mad scientist/Fuhrer wannabe.
As an action movie, it is passable - nothing brilliant, but not bad either. 3D is, as is expected, completely useless, with most of the movie employing next to no 3D effects. The explosions are big, there are car chases (and plane chases, and train chases); ticking bombs and off course beautiful women. So, quite an enjoyable movie to watch - but nothing special.
As an action movie, it is passable - nothing brilliant, but not bad either. 3D is, as is expected, completely useless, with most of the movie employing next to no 3D effects. The explosions are big, there are car chases (and plane chases, and train chases); ticking bombs and off course beautiful women. So, quite an enjoyable movie to watch - but nothing special.
Movie: The Perfect Host
It is hard to say much about this movie, without revealing the plot. An injured bank robber charms his way into the home of a man hosting a dinner party; except all is not what it seems. The movie is really notable for its brilliant character development (of the criminal, the host, and some of the other side characters) - and the brilliant acting of David Pierce (of Frasier fame).
14 August 2011
Nan Hua Temple
The town of Bronkhorstspruit is about 55 Km east of Pretoria (yet remarkably still part of Tshwane Municipality), and is a weird place to host the largest Buddhist centre in Africa. The history behind the placement, as detailed by the guide (I was only part of the group at the beginning) is part political (the deal was initiated as part of the mayor's trip to Taiwan), part visionary (an idea to enable cultural exchange, to bring Asia closer to Africa and also to initiate tourism) - but the peaceful surrounds of Bronkhorstspruit does bring some calm serenity to the place.
The Nan Hua Temple complex is part of a larger global Buddhist movement (BLIA) and also includes a number of initiatives in South Africa, including an IT academy, a retreat, meditation workshops, a monastery and various fundraising initiatives.
I first visited the temple, early last year, and the photos date back to then. Ever since, I have wanted to come back, but never really get round to it (it is after all quite a long trip). At least on a Sunday, there is free lunch (between 12pm and 1pm), so there is some motivation :)
It is a massive temple complex, not completely finished - and sometimes gives of a feeling of being decayed and not entirely well maintained. And the tourism plan doesn't seem to have completely worked out - as it feels pretty lonely, especially in the large temple halls. That in its own way may be its charm - similar temples in Asia (and I have been to fair number of them) are always bustling, and highly commercialised with vendor after vendor selling you either mementos or offerings. Nan Hua is far calmer and serene. It is well worth the visit - especially on a Sunday afternoon.
One of the highlights, is the many (1000?) armed Buddha, found at the back of the temple. Not sure of the mythological significance, but quite impressive. I am also not sure of the significance of the three Buddhas in the main temple, but they are impressively large, and also feature "Dharma protectors" guarding them on the sides. When I went last year, there was some youth activity going on, but yesterday there were hardly anyone there, leaving a lot more time to explore the main temple hall.
10 August 2011
Password Strength
In one comic, xkcd has sumarised the core problem with passwords - they are difficult to remember, but are actually easy to crack. The use of phrases instead of passwords make a lot more sense, but most systems do not cater for phrases; and instead insist on complexities that make no sense.

08 August 2011
Enescu, Liszt and Dvořák - JPO's 3rd Season, 3rd Week
Gerard Korsten's last week at the helm of the JPO featured an interesting mix of musical styles. It was an almost full house yesterday afternoon at the ZK Matthews Hall at the UNISA campus, as two of Pretoria's best known classical music practitioners shared the stage.
The concert started with Enescu's Romanian Rhapsody No 1, is based on Romanian folk songs, and a drinking song in particular, as well as some folk dances. The origins are clearly reflected in the various changes in tempo throughout the piece (sort of mirroring a dance that goes faster and faster).
The 2011 Standard Bank Young Artist (for music) of the year, Ben Schoeman, was the soloist performing Liszt's Piano Concerto No 1. It was a stunning performance, that brought the home crowd to its feet.
Some season's back, the JPO played Dvořák famous "New World Symphony", and while the 7th Symphony is not as grand, it is probably a lot more traditional. It is fairly somber, and reminded me a lot of movie scores.
Half the JPO season is over, let's see if I can go to an entire season for a change.
The concert started with Enescu's Romanian Rhapsody No 1, is based on Romanian folk songs, and a drinking song in particular, as well as some folk dances. The origins are clearly reflected in the various changes in tempo throughout the piece (sort of mirroring a dance that goes faster and faster).
The 2011 Standard Bank Young Artist (for music) of the year, Ben Schoeman, was the soloist performing Liszt's Piano Concerto No 1. It was a stunning performance, that brought the home crowd to its feet.
Some season's back, the JPO played Dvořák famous "New World Symphony", and while the 7th Symphony is not as grand, it is probably a lot more traditional. It is fairly somber, and reminded me a lot of movie scores.
Half the JPO season is over, let's see if I can go to an entire season for a change.
05 August 2011
Not much of a summer
One of the things I was really looking forward to in this trip to Germany, was the summer weather, especially with the cold SA winter. The first two days were perfect summer weather, not too hot, a slight breeze over the Rhine, sunshine, all the good things needed to enjoy the long days of summer. I was told by many that this was an anomaly this year, and the weather has been rather crappy ... And for the rest of the trip it has been - humid, intermittent rain and a lot of cloud cover. It has felt more like Cape Town winter than an European summer :(
31 July 2011
Blacks Only
Hosted by one of South Africa's greatest stand-up comedians, David Kau, Blacks Only is a series featuring mostly black comedians, which is equally reflected in the audience. In fact David Kau started the show with a census of the audience - which was one of the largest audiences I have seen outside a music festival (there were 12 audience blocks, of about 360 seats in each block).
The show featured a variety of comics, Ugandan born David Kibuka (now from Fourways), American Will-E Robo, the token white guy Chris Forest and a number of "unknown" comics, getting their turn in the limelight. Mostly, the show was in English, although two comics were more versed in a combination of Tswana, Sotho, Zulu and Xhosa - and the general response from the audience clearly showed that they were very very funny!
The comics pulled no punches, offending people of all races, tribal groups, nationalities, not to mention politicians and celebrities. In fact some of the comic attacks even brought collective gasps from the audience (two highlights: calling Hector Petersen as the boy who couldn't duck fast enough, and giving Jacob Zuma something he had not experienced before, as part of Nelson Mandela day, by taking him to a Matric dance) - a show of how far they pushed.
Including the interval, the show was over 3 hours, and even after starting late, it was one of the best stand up comedy shows I have been to. Definitely a show to go to, the next time around!
The show featured a variety of comics, Ugandan born David Kibuka (now from Fourways), American Will-E Robo, the token white guy Chris Forest and a number of "unknown" comics, getting their turn in the limelight. Mostly, the show was in English, although two comics were more versed in a combination of Tswana, Sotho, Zulu and Xhosa - and the general response from the audience clearly showed that they were very very funny!
The comics pulled no punches, offending people of all races, tribal groups, nationalities, not to mention politicians and celebrities. In fact some of the comic attacks even brought collective gasps from the audience (two highlights: calling Hector Petersen as the boy who couldn't duck fast enough, and giving Jacob Zuma something he had not experienced before, as part of Nelson Mandela day, by taking him to a Matric dance) - a show of how far they pushed.
Including the interval, the show was over 3 hours, and even after starting late, it was one of the best stand up comedy shows I have been to. Definitely a show to go to, the next time around!
28 July 2011
A lot of plucking - JPO's 3rd Season, 2nd Week
There was no overall theme in the second week, except that most of the pieces featured plucking by the strings of the orchestra. The first piece of the evening was Benjamin Britten's Simple Symphony, which Britten apparently composed in his early teens. It is a wonderful string orchestra piece, with my personal favourite being the second movement "Playful Pizzicato", which is entirely strummed by the full orchestra (see a YouTube performance of it here).
South African viola player, Gina Beukes, was the soloist performing two pieces - Max Bruch's "Romance in F Major for Viola and Orchestra" and Paganini's "Sonata Per Le Gran Viola e Orchestra". Of the two pieces, Paganini's piece was certainly more entertaining, and seemed to have a lot more complex and demanding. The final movement is particularly impressive, as the viola leads the orchestra to the climax, and was performed again as the encore.
The last piece was Haydn's "Symphony no 103 - Drum Roll", starts with a drum roll on the Timpani, and is quite upbeat and merry piece. It was not as impressive as the viola pieces or as interesting as Britten's simple symphony, but it was a nice, relaxed way to end the performance.
South African viola player, Gina Beukes, was the soloist performing two pieces - Max Bruch's "Romance in F Major for Viola and Orchestra" and Paganini's "Sonata Per Le Gran Viola e Orchestra". Of the two pieces, Paganini's piece was certainly more entertaining, and seemed to have a lot more complex and demanding. The final movement is particularly impressive, as the viola leads the orchestra to the climax, and was performed again as the encore.
The last piece was Haydn's "Symphony no 103 - Drum Roll", starts with a drum roll on the Timpani, and is quite upbeat and merry piece. It was not as impressive as the viola pieces or as interesting as Britten's simple symphony, but it was a nice, relaxed way to end the performance.
24 July 2011
All the Russians - JPO's 3rd Season, 1st Week
The new JPO season kicked off this week featuring a lot of Russians - Shostakovich's Festive Overture, Rachmaninoff's First Piano Concerto, with young Russian born soloist Boris Giltburg and finishing off with Mussorgsky's Pictures at an Exhibition. The conductor, Gerard Korsten, is one of the few really well known South African conductors, and will conduct two more weeks of this season.
The Festive Overture is loud, starting with great brass fanfare, and ending with equally loud percussion and brass; which was actually a general feature of the performance overall; and thus great in setting the mood.
Rachmaninoff's First Piano Concerto is not as well known as his second and third, and hopefully this signals that the JPO intends to cover the other two also in the future. While certainly not as loud as the accompanying pieces, the concerto is brilliant in how the piano and the rest of the orchestra comes together, and Boris' performance was brilliant in this regard. There was a short encore (a piece I didn't recognise) - very fast, and showed off his skills perfectly.
The Pictures at an Exhibition (originally for piano, but orchestrated by Ravel) feature a number of pieces inspired by paintings. In this respect, the JPO missed an opportunity in my opinion in not projecting pictures along with the concert, although I understand from the Wikipedia article, that not all the pictures survive. The pictures ends off with a raucous percussion set (where almost every percussion instrument seems to have gone crazy) in "The Bogatyr Gates (in the Capital in Kiev)".
The JPO plays three of its six week season at the ZK Matthews Hall in the UNISA campus in Pretoria, on Sunday afternoons. This is not as well attended as the Linder Auditorium performances, which I find strange - given that the UNISA environment seems to be a lot laid back, and not a bad way to spend Sunday afternoons. Perhaps, it is not as well known!
The Festive Overture is loud, starting with great brass fanfare, and ending with equally loud percussion and brass; which was actually a general feature of the performance overall; and thus great in setting the mood.
Rachmaninoff's First Piano Concerto is not as well known as his second and third, and hopefully this signals that the JPO intends to cover the other two also in the future. While certainly not as loud as the accompanying pieces, the concerto is brilliant in how the piano and the rest of the orchestra comes together, and Boris' performance was brilliant in this regard. There was a short encore (a piece I didn't recognise) - very fast, and showed off his skills perfectly.
The Pictures at an Exhibition (originally for piano, but orchestrated by Ravel) feature a number of pieces inspired by paintings. In this respect, the JPO missed an opportunity in my opinion in not projecting pictures along with the concert, although I understand from the Wikipedia article, that not all the pictures survive. The pictures ends off with a raucous percussion set (where almost every percussion instrument seems to have gone crazy) in "The Bogatyr Gates (in the Capital in Kiev)".
The JPO plays three of its six week season at the ZK Matthews Hall in the UNISA campus in Pretoria, on Sunday afternoons. This is not as well attended as the Linder Auditorium performances, which I find strange - given that the UNISA environment seems to be a lot laid back, and not a bad way to spend Sunday afternoons. Perhaps, it is not as well known!
17 July 2011
Music: Isochronous
It has been quite a while since I have seen live music that is not classical music. Seeing that there was a band "Isochronous" playing on Saturday in Johannesburg, in the afternoon (meaning that the cold evening was not a deterrent) at Melrose Arch.
The music itself is pop-rock though the vocal style is a bit harder to categorise. Locally, The Parlatones is similar while Oasis would be the international equivalent I suppose. The music is very easy to listen to and they do perform well - although the crowd was fairly small.
The most interesting thing about the gig was the small kids dancing about really - it was quite funny to watch; especially how they seemed to make friends between themselves so easily.
The band has a number of videos on YouTube - and it is a band well worth supporting.
The music itself is pop-rock though the vocal style is a bit harder to categorise. Locally, The Parlatones is similar while Oasis would be the international equivalent I suppose. The music is very easy to listen to and they do perform well - although the crowd was fairly small.
The most interesting thing about the gig was the small kids dancing about really - it was quite funny to watch; especially how they seemed to make friends between themselves so easily.
The band has a number of videos on YouTube - and it is a band well worth supporting.
09 July 2011
South African National Youth Orchestra Concert
On a rather cold Wednesday evening, the South African National Youth Orchestra held its annual concert, conducted by Gerben Grooten. The main highlight of the concert was Benjamin Britten's "Young Person's Guide to the Orchestra", with narration provided by none other than Archbishop Desmond Tutu. The orchestra's website outlines a very interesting process in which the young musicians are taught and chosen to participate in the program, and there are some interesting collaboration projects.
You can see the trailer for the concert on YouTube:
The concert started with a short piece from South African composer John Simon, titled "Late Gothic Overture". The piece had its haunting edge; but was also quite lively with a lot of percussion and brass. It is apparently part of a larger symphony, but I haven't found a performance of it.
Benjamin Britten's "Young Person's Guide to the Orchestra" is an apt piece for a youth orchestra, and an audience with a number of people, including a lot of children, who do not regularly attend orchestral performances. The Arch's commentary was well paced, though he did miss his narration point on the french horns, with his trademark laughter (on trumpets, directly after the french horns) or his joy at saying "things that go bang". The finale of the piece, where all the instruments play together had an encore before the interval, and also as the encore for the concert itself.
The last piece was Shostakovich's 9th Symphony - which was rather dull to be honest. After the very energetic first half, it was a bit too mellow in my opinion. In the program, Shostakovich is quoted as saying "Musicians will love to play it and critics will delight in bashing it" - and perhaps that is the problem - it is a piece for those who play music more than for the listeners.
You can see the trailer for the concert on YouTube:
The concert started with a short piece from South African composer John Simon, titled "Late Gothic Overture". The piece had its haunting edge; but was also quite lively with a lot of percussion and brass. It is apparently part of a larger symphony, but I haven't found a performance of it.
Benjamin Britten's "Young Person's Guide to the Orchestra" is an apt piece for a youth orchestra, and an audience with a number of people, including a lot of children, who do not regularly attend orchestral performances. The Arch's commentary was well paced, though he did miss his narration point on the french horns, with his trademark laughter (on trumpets, directly after the french horns) or his joy at saying "things that go bang". The finale of the piece, where all the instruments play together had an encore before the interval, and also as the encore for the concert itself.
The last piece was Shostakovich's 9th Symphony - which was rather dull to be honest. After the very energetic first half, it was a bit too mellow in my opinion. In the program, Shostakovich is quoted as saying "Musicians will love to play it and critics will delight in bashing it" - and perhaps that is the problem - it is a piece for those who play music more than for the listeners.
08 July 2011
Movie: X-Men: First Class
The movie is effectively a prequel showing the origins of what would become Professor X, Magneto and the mutant movement. Using the Cuban missile crisis as the backdrop, the movie tries to show clearly why the two mutant leaders have such fundamentally different outlook towards the rest of mankind.
It's well written and well paced; but it does not feel like a reboot of the series in the vein of Superman or Batman reboots. I am not sure even if it was supposed to be.
It's well written and well paced; but it does not feel like a reboot of the series in the vein of Superman or Batman reboots. I am not sure even if it was supposed to be.
20 June 2011
Anonymous and Lulzsec Declare war on Corruption
After hacking the sites (and systems) of the CIA, the FBI, various US government departments, various corporations (most notably SONY), Lulzsec, and Anonymous have released a joint call to arms - a Jihad if you will - against corruption. And like many Jihadi movements, many commentators have already labeled it as "cyber-terrorism". Their "press release" is quite impressive, and full of good intentions but some points come to mind.
Given the revelations over the weekend relating to South Africa's own arms deal corruption saga, I am quite keen to see the results of this mass action. And I don't think it is cyber terrorism, yet. And, I do have some grave doubts on whether any real prosecutions or changes to corporate and government activities will actually result from this.
- While the announcement itself asks for support for Wikileaks, how the evidence for corruption will be documented is not detailed. One of the standout features for Wikileaks is its impressive documentation, anonymisation and verification process. Simply releasing information is not enough, which leads to ...
- How will the supposed corruption evidence be proven. It is one thing to break into a "secure" network, and even to retrieve data. But the legitimacy of the data needs to be proven - sufficiently that it will be difficult to label as a fake. Considering the skills of the attackers, there is actually a higher burden of proof to ensure legitimacy of the data.
- Proving corruption will require a lot of corroborating evidence; and rarely will corruption be highlighted by a single data source. Furthermore, corroboration will require a number of disparate sources - e.g. an instruction via email linked to a bank account statement linked to an email on the success of the scheme. How many sources require infiltration before evidence is sufficient?
- Inevitably there will be innocent bystanders hurt in the process - either because they are unknowing mules or wrongly targeted. Verification problems yet again?
- Hacking into networks is illegal - and will remain illegal for the foreseeable future. Good intentions or not, this badly written, but informative article gives a good overview of the moral dilemmas awaiting the prospective hacker.
Given the revelations over the weekend relating to South Africa's own arms deal corruption saga, I am quite keen to see the results of this mass action. And I don't think it is cyber terrorism, yet. And, I do have some grave doubts on whether any real prosecutions or changes to corporate and government activities will actually result from this.
New Layout
I decided to try a new layout on this blog, with a few subtle changes on the template. It works well with my desktop, iPad and my laptop - but there may be some machines with low resolution that it doesn't work on.
19 June 2011
Movie: The Lincoln Lawyer
Most legal thrillers are based on "good" lawyers. Matthew McConaughey's character is initially difficult to like as a good lawyer - he is after all a lawyer that primarily defends petty criminals, often successfully. The story itself revolves around the lawyer coming to defend a rich man accused of rape, and the subplots start to unravel as he realises that there is a tricky catch-22 at play on maintaining his lawyer's pledge of client confidentiality and to uphold justice.
The movie is well acted, with some very impressive support actors, such as William Macy as the PI, it does tend to drag on a bit towards the end. It's a good story, well paced, and quite entertaining.
The movie is well acted, with some very impressive support actors, such as William Macy as the PI, it does tend to drag on a bit towards the end. It's a good story, well paced, and quite entertaining.
Movie: The Adjustment Bureau
Based on a Phillip K Dick novel, the story revolves around a politician (played by Matt Damon) who accidentally stumbles upon a shadow group of individuals who steer humanity's progress in life. What most humans consider to be accidents are in fact the effects of the meddling minders; geared to keep everyone to plan.
Effectively, in the debate around fate vs free will - the movie's premise is that free will does not exist - not because it cannot exist - but because humanity does not have the discipline to make effective use of it.
The movie is fairly divergent from the main plot of the original story; and does not really preach any particular morality or any particular religious doctrine (though the adjustment bureau being likened to angels or similar does exist). There is the fairly sinister view, that the higher power does not necessarily equate in terms of good and evil (for example, the politician's whole family was effectively terminated so that he can overcome adversity to become a new sort of politician); which does spin a new take on the fate vs choice debate.
Overall, it is a well scripted, entertaining movie.
Effectively, in the debate around fate vs free will - the movie's premise is that free will does not exist - not because it cannot exist - but because humanity does not have the discipline to make effective use of it.
The movie is fairly divergent from the main plot of the original story; and does not really preach any particular morality or any particular religious doctrine (though the adjustment bureau being likened to angels or similar does exist). There is the fairly sinister view, that the higher power does not necessarily equate in terms of good and evil (for example, the politician's whole family was effectively terminated so that he can overcome adversity to become a new sort of politician); which does spin a new take on the fate vs choice debate.
Overall, it is a well scripted, entertaining movie.
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