Oppikoppi: Day 3

The last day promised the most exciting line-up, with some of the top musical acts in the country. Although, we had initially wanted to go fairly early in the day, we decided to go slightly later in the afternoon to make the most of the later acts.

The tribute to a legend in the South African music scene, Vusi Mahlasela, was the first act of the day. He performed a number of his hits (I have heard at his other appearances), together with some amazing guest artists, including Karen Zoid and Albert Frost. It was a great sundowner concert, and highly enjoyable.

I have never heard of "Eagles of Death Metal", but they drew a humongous crowd. It was an energetic performance by the Californian band, though it wasn't exactly death metal. It was good music, though not something that I would go out and buy a CD for (or even download).

Karen Zoid started her show with an apology, to the non Afrikaners, that not all Afrikaners think like Dan Roodt and Steve Hofmeyer. The rousing response from the crowd was a validation of the statement and her general position on the "Afrikaner mentality", from the massive, predominantly Afrikaner crowd. Her show was a mixture of her new songs (all in Afrikaans), some old favorites and an amazing cover of Queen's "The Show Must Go On". It was certainly one of the highlights of the festival, and yet again Karen Zoid nailed a great show.

I didn't spend too much time at Jack Parrow - the little I saw didn't really interest me much; mostly due to the style.

The tipping point in te decision to come to Oppikoppi was to see "Seether", and they didn't disappoint. In front of an absolutely packed stage, they started with the high octane "Gasoline", and finished with the equally high energy "Remedy", and a number of hits in between. The whole crowd singing "Broken" with the band playing the accompanying music was amazing, as were the numerous extended instrumental pieces during the songs. The interaction with the crowd, though minimal compared to some of the other bands was minimal, but felt genuine. The performance was special, and was certainly the highlight of the festival.

The last band of the festival, was British metal band, "Bullet for my Valentine". Although I have heard some of their songs before, I didn't really know their music. Nevertheless, the very high energy show was great, featuring some of the biggest mosh pits I have ever seen. In one of the instrumental solos, the lead guitarist started playing "Nkosi Sikelela Africa", and the amazing thing for me, was the gusto in which the largely white Afrikaner audience sang along; something that underlies the earlier comment made by Karen Zoid. We have truly come far!